Virginia Brazier

📡With dedicated executive roles and expanded cross-department collaboration, NAB is positioning the Broadcast Positioning System (BPS) for wider commercial relevance and industry impact using the NextGen TV standard. Learn what this means for broadcasters and public safety: https://lnkd.in/eABC866H

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We just wrapped pre-record, and next week’s #Broadcast2Post podcast episode is a MUST-WATCH for any broadcast professional using ST 2110 or making the move from SDI to ST 2110 infrastructure. 🎙️ PTP Done Right for ST-2110: How to Avoid the Timing Pitfalls in IP Broadcast with Steve Dupaix and Nik Kumar Register here: https://lnkd.in/gN552e-R PTP timing is one of the most critical and most misunderstood parts of IP broadcast. When it’s off, it looks like “random glitches” in cameras, multiviewers, replay, and audio. When it’s right, your whole plant stays locked and predictable. In this episode we break down: 🐸 How PTP really works inside ST 2110 systems 🐸 The root causes behind timing-related failures 🐸 The essentials you must get right: profiles, boundary clocks, BMCA, QoS, domains, offsets, jitter, alarms Plus a hands-on live look at a real PTP monitoring setup so you can see healthy vs problem conditions before you go to air. And a quick thanks to Telestream for letting us use PRISM to show real-world PTP monitoring in a live 2110 environment. #ST2110 #PTP #IPBroadcast #BroadcastEngineering #AVoIP #Broadcast2Post #KeyCodeMedia

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🎬 New CBFC Requirement for Film Certification – Effective June 15 The Central Board of Film Certification (CBFC) has introduced an important accessibility requirement for films applying for certification. Starting June 15, all films submitted for censorship must include: • Closed Captions (Subtitles) • Audio Description tracks Producers are required to submit films as Digital Cinema Packages (DCP) along with the relevant files through the E-Cinepramaan portal. This initiative marks a significant step toward inclusive cinema, ensuring that films are accessible to audiences with hearing and visual impairments while also aligning Indian cinema with global accessibility standards. For producers and post-production teams, it also highlights the growing importance of accessible content workflows in film delivery pipelines. #CBFC #FilmIndustry #IndianCinema #AccessibilityInCinema #PostProduction #FilmCertification #DigitalCinema #AnanthaCineVerse

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The Tampa Bay Lightning have signed a multiyear local broadcast agreement with Scripps Networks Interactive 🤝 They join the growing list of sports teams that offer games to fans through free over-the-air television. ➡️ By Jason Clinkscales: https://lnkd.in/eQ2xtWEv

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Every broadcast minute carries operational risk, but every missed process amplifies it. BroadView is an enterprise broadcast management system designed to bring structure, accuracy, and control to scheduling, traffic, and day-to-day broadcast and Ad sales operations across multi-channel environments. BroadView provides broadcasters with a reliable operational backbone, reducing manual touchpoints, lowering on-air risk, and improving visibility across planning and execution workflows. Built for high-volume, complex environments, it integrates seamlessly across upstream and downstream systems while maintaining auditability and enterprise stability. For broadcast teams, reliability isn’t optional. It’s foundational. Dheeraj Lilani Sumit Suri Taru Goel Suri Vishal Kotian Sachin Jain Kayoz Mistry Kalpesh Naik Cate Dujay Sylvia Schroer Michael Atkinson Mia Andrews Jerry Katz Arthur Drevnig #UTOSolutions #BroadView #BroadcastManagement #MediaOperations #LinearTV #MediaTech #OperationalExcellence #EngineeredForImpact #FutureOfBroadcast

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𝐌𝐨𝐬𝐭 𝐦𝐞𝐝𝐢𝐚 𝐟𝐚𝐢𝐥𝐮𝐫𝐞𝐬 𝐚𝐫𝐞𝐧’𝐭 𝐭𝐞𝐜𝐡𝐧𝐢𝐜𝐚𝐥. 𝐓𝐡𝐞𝐲’𝐫𝐞 𝐛𝐞𝐡𝐚𝐯𝐢𝐨𝐫𝐚𝐥. After 30+ years in broadcast operations, one truth hits harder than any technology: 𝐔𝐩𝐭𝐢𝐦𝐞 ≠ 𝐈𝐦𝐩𝐚𝐜𝐭. ──────────────── I’ve seen world-class studios, engineers, and equipment produce content 𝐧𝐨𝐛𝐨𝐝𝐲 𝐰𝐚𝐭𝐜𝐡𝐞𝐝. Not because it was bad, but because nobody thought about 𝐡𝐨𝐰 𝐢𝐭 𝐰𝐨𝐮𝐥𝐝 𝐭𝐫𝐚𝐯𝐞𝐥, 𝐛𝐞 𝐟𝐨𝐮𝐧𝐝, 𝐚𝐧𝐝 𝐞𝐧𝐠𝐚𝐠𝐞 𝐚𝐧 𝐚𝐮𝐝𝐢𝐞𝐧𝐜𝐞. 𝐁𝐞𝐟𝐨𝐫𝐞: “Is it ready to air?” 𝐍𝐨𝐰: “Is it ready to be found?” ──────────────── It’s easier to invest in cameras, studios, and systems. It’s harder to invest in understanding your audience. Most organizations choose safety — and slowly, their impact disappears. 𝐔𝐩𝐭𝐢𝐦𝐞 𝐰𝐢𝐭𝐡𝐨𝐮𝐭 𝐫𝐞𝐥𝐞𝐯𝐚𝐧𝐜𝐞 = 𝐟𝐚𝐢𝐥𝐮𝐫𝐞. If your main platform disappeared tomorrow, could your audience still find you? Or would they move on? 𝐈𝐧𝐯𝐞𝐬𝐭 𝐢𝐧 𝐫𝐞𝐥𝐞𝐯𝐚𝐧𝐜𝐞. 𝐍𝐨𝐭 𝐣𝐮𝐬𝐭 𝐢𝐧𝐟𝐫𝐚𝐬𝐭𝐫𝐮𝐜𝐭𝐮𝐫𝐞. ──────────────── #MediaLeadership #BroadcastIndustry #MediaTransformation #DigitalMedia #ContentStrategy #AudienceFirst

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Today, Sony Pictures Television opened submissions for its Elevate Actors Fellowship! The Elevate initiative serves as a unified, studio-wide pipeline for emerging actors, writers, and directors, reinforcing Sony Pictures Television’s long-term commitment to advancing new and diverse voices in scripted television. Through hands-on training, masterclasses, executive mentorship, and direct access to studio leadership across the SPT ecosystem, culminating in a showcase before casting directors and executives, the Elevate Actors Fellowship provides meaningful, career-building opportunity. Alumni have gone on to secure creative placements and roles across the industry, including series such as For All Mankind, S.W.A.T. Exiles, and The Pitt. Applications are now open: https://lnkd.in/gFhdcuYR. The story broke exclusively this morning in The Wrap. Read more here: https://lnkd.in/gVpsuheN.

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