Eric Boggs 🐏 shared this
Building a business in 2026 feels a lot like recording a record.
Not that I have a lot of experience as a professional recording artist… but I have thousands upon thousands of hours of experience as a professional music listener, taste-haver, and not-that-great guitar player in not-that-great bands.
So stick with me.
You get a band together, put together some songs you believe in, book the studio, cut take #1, and immediately realize the sound in your head is not the sound coming out of the speakers.
And that's actually the job.
The job is working from take #1 to take #17 when take #13 was objectively fine but just didn't feel right.
The job is listening to the dopey drummer that says "what if we added claps" and having the ego to say "sure, claps, why not, let's try it."
The job is throwing out a week of work because the groove you thought was chooglin' is actually sloppy.
(Aside -- has anyone ever written the word "chooglin" on LinkedIn before?)
I was thinking about all of this because Spotify randomly recommended HAIM this week, which reminded me of an article I read a while back about how genuinely miserable it was for them to record their song "The Wire."
"The Wire" is a flawless song, with amazing sister harmonies, handclaps (probably thanks to the dopey drummer), and fun little flourishes tucked into every bar.
I vaguely remember the story -- it took dozens of takes, they cried after every take, it took a month to land on the final cut for ~4 minute song.
It's hard and it takes effort.
(Here comes the AI take, keep sticking with me...)
Stupid AI makes it extra hard because it makes everyone a half decent player.
It is suddenly very easy to make crappy AI music, crappy AI art, crappy AI software, crappy AI businesses, etc. The floor is way higher than it was even 18 months ago, which sounds great, except it also means everyone else's floor is way higher.
So "we have a working product" and "our process is pretty tight" and "we ship fast" aren't differentiators anymore. They're table stakes.
Everyone can chunk out a chord progession on guitar, which moves 100% of the value to the stuff that's harder to measure.
Taste. Point of view. Experience in the room. Knowing what sounds good and being able to tell someone why, even when the metric says the other take was fine.
In other words, the things you can't prompt your way through.
Twenty takes of "The Wire" is what separates a "song" from a song from 13 years ago that I can still sign every word and every guitar stab.
And that's the bar. And unfortunately I don't know any shortcuts. I wish there was one.
It's really, really hard.
You just have to keep going until the song you hear in your head is the song your team and clients start singing along with.
It feels worth it when you start to see the heads bobbing to the beat.